Works in Progress


The works pictured here are part of an ongoing series of experimental sculptures. Additional images will be added over time.

My current work examines the ways in which sites are marked, unmarked, and distinguished from surrounding areas. With a somewhat equal emphasis on both the planned meticulousness and the precarious jury-rigging of the construction process, the sculptures observe and absorb the tendencies of built architectural and utilitarian structures with the ultimate goal of creating an encompassing, uncertain, contemplative space.

Building materials exist as relics of place and site. They become infused with meaning from the way we handle them, how we configure them, and the ways in which we interact with the structures after they have been assembled. Those materials witness, in a sense, the complete action timeline of a site. They hold the life of the site. I am interested in the shift that occurs when those materials are translated and rematerialized in a new context under new pretenses. In this translation, I aim to investigate what it means to mark a site with a structure and how the physicality of structure functions beyond what it marks.

Employing altered building processes and refabricated materials, my work considers the intimacy of building labor and the ways in which it links to larger systems of power.
 

S E L E C T E D   M A T E R I A L S
oriented strand board, concrete, red rosin paper, fiberglass insulation, hardware cloth, lath, cast aluminum, cast iron with fiberglass insulation, 2x4s, C-clamps, cinder blocks, plastic tarping, line chalk, steel rods, latex paint, plaster, drywall, cast silica sand

The instructional guide below was included in the catalog for the Yeah Maybe exhibition, A Mussel is to A House.